Paul Lyons

Taylor-Jensen Fine Arts is pleased to showcase the paintings of Palmerston North-based artist Paul Lyons. Texplorations: Paintings by Paul Lyons will feature over thirty of the artist’s works, “mainly watercolours with frequent guest appearances by charcoal and gouache.” The works are all representational with some being slightly chromatically exaggerated. “I like my paintings to look like something when viewed from a distance, but to reveal their nature as marks-on-paper when viewed from close-up. So, although the style is realistic, it is not hyper-realistic!” The exhibition will open on Saturday 14th November from 1-3 pm and remain on show through Wednesday 2nd December. Gallery members, friends and the general public are invited to attend and to meet the artist.

Born in England, raised in Auckland, living in Palmerston North, Paul Lyons is a 62-year-old self-taught artist, an academic, an actor and a musician. He has degrees in Chemistry, and has lectured in Computer Science at Massey University for over thirty years. Although Paul has painted for about twenty years, he has only occasionally shown works in galleries, and has sold a few works privately. This exhibition is the first time a significant number of his artworks have been publicly available.

In his academic life, Paul specialises in research into the use of colour in computer interfaces, and has run workshops on the subject around the world. But he is also (slightly) colour-blind, so you can amuse yourself by speculating about which colour effects in his paintings are deliberate, which are the result of using a particular technique, and which are because he just sees colours differently from the viewer.

The artist writes: “I’ve discovered that I’m attracted by natural forms much more than synthesised ones, so the subject matter is mostly ‘landscapish’, and often fairly dramatic. It is largely drawn from scenes discovered on trips through New Zealand, with one or two from Scotland as a bonus. This show is largely an exploration of various techniques. Some of the works are completely traditional watercolours and others feature spattering, charcoal, poured paint or a restricted palette. At one stage, I thought of calling the show Dirty Pictures, because I was going through a charcoal stage, and before you spray them with fixative, charcoal-heavy pictures are filthy things. But those are only a minority, and there’s a strong element of technical exploration about the works on display, so Texplorations seems to sum it up quite nicely.

“Having spent my working life in academia, I’m in the habit of converting the written word into useful skills, so I often search through books on painting, looking for new and interesting techniques. I then experiment with how to use them, when to use them, and how to integrate them into my style. After finding a new technique, I’ll typically produce a few works with a heavy emphasis on that technique, and then, having discovered what I can do with it, put it on a mental shelf till a subject comes up that calls for it. Then it’s time to start searching for another interesting new technique.”

Other Upcoming Exhibitions.

Previous Exhibitions.

The Mountains and the Sea
By: Paul Lyons
- 22 Mar 19

RETRO - SPECTIVE: Cash & Carry Sale of Silkscreen Prints
By: Malcolm Warr
- 22 Feb 19

SUMMER FLIGHT: New Zealand Birds and Landscapes
By: Jayeta Valentine
- 25 Jan 19

By: Michele Theobald & Val Jones
- 30 Nov 18

By: Te Wananga o Aotearoa Graduate Weavers 2018
- 12 Nov 18

By: Rachael Smith
- 26 Oct 18

“Licorice All Sorts”
By: Georgia Lambert
- 11 Oct 18

The Art Room (Term 3)
By: Manawatu Art Teachers Association
- 24 Sep 18

By: Willie Docherty
- 25 Aug 18

“A Bouquet of Paintings”
By: Mary Mulholland
- 03 Aug 18

The Infinite Smallness of Being
By: Raemon Rolfe and David Lupton
- 13 Jul 18

Land & Water
By: Timon Maxey
- 22 Jun 18

By: Don Hill & Steve Leurink
- 01 Jun 18

By: New Paintings by Ross Whitlock
- 07 Apr 18

By: Roger Staples
- 02 Mar 18

A Family Affair
By: Colin Hoare and sons James and Alex
- 02 Feb 18

By: Vivian McKenna
- 12 Jan 18

Echoes Of Fiordland
By: Annabel Neall
- 12 Dec 17

By: Te Wananga o Aotearoa Graduate Weavers 2017
- 13 Nov 17

By: Sue Weterings
- 20 Oct 17

IRIS: Photography Exhibition
By: 2017 Epsom/NZIPP Award Winners
- 06 Oct 17

Land and Water
By: Jacky Pearson
- 08 Sep 17

Moments of Transcendent Beauty
By: Paul Lyons
- 11 Aug 17

“Exploring the Intersection Between Detail and Suggestion”
By: John Tidball
- 15 Jul 17

‘The Spaces Between’
By: Anne Morris
- 17 Jun 17

‘The Primacy of Gesture’
By: Ross Whitlock
- 12 May 17

By: Alfred Memelink
- 23 Mar 17

By: Vivian McKenna
- 03 Mar 17

Across the Ditch
By: Australian and New Zealand Print Artists
- 04 Feb 17

“GIVEN TIME AND SPACE” Abstracted Imagery
By: Colin Hoare
- 06 Jan 17

By: Watercolours by Celia Guy
- 03 Dec 16

E Toru nga Mea
By: Weaving and Carving Graduates Te Wananga o Aotearoa, Papaio
- 14 Nov 16

Dot's Nice
By: Elka
- 21 Oct 16

Colour Blast: Work That Jump Off the Canvas
By: Boyd-Dunlop
- 10 Sep 16

Heart Standing Still
By: Rachael Smith
- 30 Sep 16

SAMPLING: Paintings by Jayson Rollon & WARMING BODY & SOUL: Caohagan Island Quilts
By: Jayson Rollon & WARMING BODY & SOUL
- 25 Jul 16

Head for the Coast New Work
By: Beth Charles & Robert Charles
- 11 Mar 16

Extraordinary Art: Paintings
By: Paula Novak
- 12 Feb 16

Window to the Falling Sun: Paintings
By: Annabel Neall
- 04 Dec 15

By: Paul Lyons
- 14 Nov 15

An exhibition of Maori Art - Maunga Kura Toi degree artists of Te Wananga o Aotearoa
By: Te Koru
- 03 Nov 15

Country to Coast
By: Nicholas Hayter
- 11 Oct 15

Anything Goes: Annual Exhibition
By: Manawatu Spinners and Weavers Guild
- 28 Sep 15

By: Dennis Greenwood
- 15 Sep 15

"Soul Is Eternal":
By: Wayne Hansen
- 29 Aug 15